logo
Neurocanto come aiuto, sostegno, riabilitazione e cura
La strada maestra di una vocalità che conduce al Benessere
retenetvision facebook

Pubblicazioni
Rassegna Stampa
Bibliografia
Archivio storico

Bibliografia


  • AA.VV., Neuroscience (eds. Purves D., Augustine G.J., Fitzpatrick D., et al.), 1a ed. Sinauer Associates, Sunderland, MA, 1997, (Neuroscienze, trad. R. Lucchi, A. Poli, M. Virgili, 1a ed., Bologna, Zanichelli 2005).
  • AA.VV., The cognitive neuroscience of music, (eds. Peretz I., Zatorre R.) Oxford, Oxford University Press, 2006.
  • AA.VV., The neuroscience and music. Mutual interactions and implications on developmental functions (eds. Avanzini G., Faienza C., Minciacchi D., Majno M.), New York, Annals of the New York Academy of Sciences, 2003, volume 999.
  • AA.VV., The neurosciences and music II. From perception to performance (eds. Avanzini G., Lopez L., Koelsch S., Majno M.), New York, Annals of the New York Academy of Sciences, 2005, volume 1060.
  • AA.VV., The neurosciences and music III. Disorders and Plasticity (eds. Dalla Bella S., Kraus N., Overy K., Pantev C., SnyderJ. S., Tervaniemi M., Tillmann B., Schlaug G.), New York, Annals of the New York Academy of Sciences, 2009, volume 1169.
  • AA.VV., The neurosciences and music IV. Learning and memory (eds. Overy K., I. Peretz I., Zatorre R.J., Lopez L., Majno M.), New York, Annals of the New York Academy of Sciences, 2012, volume 1252.
  • AA.VV., The Neurosciences and Music V. Cognitive stimulation and rehabilitation (eds Bigand E., Tillmann B., Peretz I., Zatorre R.J., Lopez L., Majno M.), New York, Annals of the New York Academy of Sciences, 2015, volume 1337.
  • AA.VV., Oxford Textbook of Creative Arts, Health, and Wellbeing. International perspectives on practice, policy and research (eds. Clift S.M., Camic P.M.), Oxford, Oxford University Press‑New York, 2016.
  • Albera R., Schindler O., Audiologia e foniatria, Milano, Minerva Medica, 2003.
  • Albert M.L., Sparks R.W., Helm N.A., Melodic intonation therapy for aphasia, in «Archives of Neurology», 1973, 29, pp. 130‑131.
  • Altenmüller E., Schlaug G., Music, brain, and health. Exploring biological foundations of music’s health effects, in Music, health and wellbeing, eds MacDonald R., Kreutz G., Mitchell L., New York, , Oxford Universty Press, 2013, pp. 11‑24.
  • Altenmüller E., Schlaug G., Neurologic music therapy. The beneficial effects of music making on neurorehabilitation, in «Acoustical Science and Technology», 2013, 34(1), pp. 5‑12.
  • Altenmüller E., Schlaug G., Apollo’s gift. New aspects of neurologic music therapy, «Progress in Brain Research», 2015, 217, pp. 237‑252.
  • Anderson S., Himonides E., Wise K., Welch G., Stewart L., Is there potential for learning in amusia? A study of the effect of singing intervention in congenital amusia, in «Annals of the New York Academy of Sciences», 2012, v. 1252(1), pp. 345‑353.
  • Austin D. The theory and practice of vocal psychotherapy, London, Jessica Kingsley Publishers, 2009.
  • Aziz‑Zadeh L., Sheng T., Gheytanchi A. (2010), Common premotor regions for the perception and production of prosody and correlations with empathy and prosodic ability, in «PLoS One», 2010, 5(1), e8759.
  • Bailey B.A., Davidson J., Adaptive characteristics of group singing. Perceptions from members of a choir for homeless men, in «Musicae Scientiae», 2002, 6(2), pp. 221‑256.
  • Bailey B.A., Davidson, J.W., Effects of group singing and performance for marginalized and middle‑class singers, in «Psychology of Music», 2005, 33(3), pp. 269‑303.
  • Baird A., Samson S., Memory for music in Alzheimer’s disease: unforgettable?, in «Neuropsychology Review», 2009, 19, pp. 85‑101.
  • Baird A., Umbach H., Thompson W.F., A nonmusician with severe Alzheimer’s dementia learns a new song, in «Journal Neurocase. The Neural Basis of Cognition», 23(1), 2017, pp. 36‑40.
  • Batavia A.I., Batavia M., Karaoke for quads: a new application of an old recreation with potential therapeutic benefits for people with disabilities, in «Disability and Rehabilitation», 2003, 25(6), pp. 297‑300.
  • Beck R.J., Cesario T.C., Yousefi A., Enamoto H., Choral singing, performance perception, and immune system changes in salivary immunoglobulin A and cortisol, in «Music Perception. An Interdisciplinary Journal», 2000, 18(1), pp. 87‑106.
  • Beck R.J., Gottfried T.L., Hall D.J., Cisler C.A., Bozeman, K.W., Supporting the health of college solo singers. The relationship of positive emotions and stress to changes in salivary IgA and cortisol during singing, in «Journal of Learning through the Arts», 2006, 2(1), article 19.
  • Belin P., Van Eeckhout P., Zilbovicius M., Remy P., François C., Guillaumeet al., Recovery from nonfluent aphasia after melodic intonation therapy. A positron emission tomography (PET) study, in «Neurology», 1996, 47(6), pp. 1504‑1511.
  • Belin P., Zatorre R.J., Lafaille P., Ahad P., Pike B., Voice‑selective areas in human auditory cortex, in «Nature», 2000, 403, pp. 309‑10.
  • Benarroch E.E., The central autonomic network: functional organization, dysfunction, and perspective, in «Mayo Clinic Proceedings», 1993, 68, pp.988-1001
  • Bencivelli S., Perché ci piace la musica. Orecchio, emozione, evoluzione, Milano, Sironi, 2007.
  • Benenzon R., Manuale di musicoterapia, Roma, Borla, 1982.
  • Bennett R., Facing the risks of the “Mozart Effect”, in «Music Educators Journal», 1999, 86(1), pp. 37‑43.
  • Bernardi L., Porta C., Bernardi N.F., Sleight P., Music and the autonomic nervous system. Dynamic interactions between musical, cardiovascular and cerebral rhythms in man, in «Autonomic Neuroscience. Basic and Clinical», 2009, 149, pp. 42‑43.
  • Bernardi L., Porta C., Sleight P., Cardiovascular, cerebrovascular, and respiratory changes induced by different types of music in musicians and non‑musicians: the importance of silence, in «Heart», 2006, 92, pp. 445‑452.
  • Berthoud H.R., Neuhuber W.L., Functional and chemical anatomy of the afferent vagal system, in «Autonomic Neuroscience. Basic and Clinical», 2000, 85, pp. 1‑17.
  • Bigand E., L’émotion dans le langage musical, in Parole et musique: aux origines du dialogue humain, (eds Dehaene S., Petit C.), Collège de France, Paris, Odile Jacob, 2009.
  • Bonilha A.G., Onofre F., Vieira M.L., Almeida Prado M.Y., Baddini Martinex J.A., Effects of singing classes on pulmonary function and quality of life of COPD patients, in «International Journal of Chronic Obstructive Pulmonary Disease», 2008, 4, pp. 1‑8.
  • Bottaccioli F., Psiconeuroimmunologia, Como, Red Edizioni, 1995.
  • Bottaccioli F., Due vie per la medicina scientifica al suo sorgere, Roma, Aracne Editrice, 2013.
  • Bottaccioli F., Epigenetica e psiconeuroendocrinoimmunologia, Milano, Edra, 2014.
  • Bottaccioli F., Psiconeuroendocrinoimmunologia e scienza della cura integrata. Il manuale, Milano, Edra, 2017.
  • Brown S., Martinez M.J., Hodges D.A., Fox P.T., Parsons L.M., The song system of the human brain, in «Cognitive Brain Research», 2004, 20, pp.363-375.
  • Bruno G., Paperi V., La voce cantata, Roma, Verduci, 2001.
  • Burger B., Thompson M.R., Luck G., Saarikallio S., Toiviainen P., Influences of rhythm and timbre‑related musical features on characteristics of music‑induced movement, in «Frontiers in Psychology», 2013, 4, p. 183.
  • Camic P.M., Chatterjee H.J., Museums and art galleries as partners in public health interventions, in «Perspectives in Public Health», 2013, 133, pp.66-71.
  • Camic P.M., et al. Viewing and making art together. An eight‑week gallery‑based intervention for people with dementia and their caregivers, in «Aging & Mental Health», 2014, 18, pp.161‑168.
  • Campbell D., The Mozart Effect. Tapping the power of music to heal the body, strengthen the mind and unlock the creative spirit, Avon Books, New York, 1997 (L’effetto Mozart, trad. Merletti L., Milano, Baldini&Castoldi, 1999).
  • Caneva P. A., Songwriting. La composizione di canzoni come strategia di intervento musicoterapico, Roma, Armando, 2007.
  • Chapline J., Johnson J.K., The National Endowment for the Arts. Guide to community‑engaged research in the arts and health, Washington, NEA’s Office of Research & Analysis, 2016.
  • Chip W., Why do we cry? Other animals howl when they are in distress, but only humans weep tears of sorrow - or joy, in «Scientific American Mind», 17(6), p. 44.
  • Clark I. N., Harding K., Psychosocial outcomes of active singing interventions for therapeutic purposes. A systematic review of the literature, in «Nordic Journal of Music Therapy», 2012, 21, pp. 80‑89.
  • Clark I.N., Tamplin J., How Music can influence the body: perspective from current Research, in «Voices», 2016, 16(2), 871.
  • Clift S., Singing for health: a musical remedy, «British Journal of Wellbeing», 2010, 1(6), pp. 19‑21.
  • Clift S., Arts and health, in «Perspectives in Public Health», 2011, 131(1), p. 8.
  • Clift S., Singing, wellbeing, and health, in Music, health and wellbeing (eds MacDonald R., Kreutz G., Mitchell L.), Oxford, Oxford University Press- New York, 2012, pp. 113‑124.
  • Clift S., Camic P.M., An introduction to the field of creative arts, wellbeing and health. Achievements and current challenges, in Oxford Textbook of Creative Arts, Health, and Wellbeing. International perspectives on practice, policy and research (eds. Clift S.M., Camic P.M.), Oxford Textbooks in Public Health, Oxford, Oxford University Press-New York, 2015, pp. 3-9.
  • Clift S., Hancox G., The perceived benefits of singing. Findings from preliminary surveys of a university college choral society, in «The Journal of the Royal Society for the Promotion of Health», 2001, 121, pp. 248‑256.
  • Clift S., Hancox G., Morrison I., Hess B., Stewart D., Kreutz G., Choral singing, wellbeing, and health. Findings from a cross‑national survey. Canterbury: Canterbury Christ Church University. Retrieved from 2008.
  • Clift S., Hancox G., Morrison I., Hess B., Kreutz G., Stewart D., Choral singing and psychological wellbeing. Quantitative and qualitative findings from English choirs in a cross‑national survey, in «Journal of Applied Arts and Health», 2010, 1(1), pp. 19‑34.
  • Clift S., Hancox G., Morrison I., Hess B., Kreutz G., Stewart D., The significance of choral singing for sustaining psychological wellbeing. Findings from a survey of choristers in England, Australia and Germany, in «Music Performance Research», 2010, 3(1), pp. 79‑96.
  • Clift S., Morrison I., Group singing fosters mental health and wellbeing: findings from the East Kent ‘‘singing for health’’ network project in «Mental Health and Social Inclusion», 2011, 15(2), pp. 88‑97.
  • Clift S., Nicol J., Raisbeck M., Whitmore C., Morrison I., (2010) Group singing, wellbeing and health. A systematic mapping of research evidence, UNESCO Observatory, The University of Melbourne Refereed E-Journal Multi-Disciplinary Research in the Arts.
  • Clift S., Page S., Daykin N., Peasgood E., The perceived effects of singing on the health and wellbeing of wives and partners of members of the British Armed Forces. A cross‑sectional survey, in «Public Health», 2016, 138, pp. 93‑100.
  • Cohen, G.D., The Creative Age. Awakening human potential in the second half of life, Paperback, 2001.
  • Cohen N., Masse R., The application of singing and rhythmic instruction as a therapeutic intervention for persons with neurogenic communication disorders, in «Journal of Music Therapy», 1993, 30, pp. 81‑99.
  • Coulton S., Clift S., Skingley A., Rodriguez J., Effectiveness and cost‑effectiveness of community singing on the mental health related quality of life of the older population: a randomized controlled trial, in «The British Journal of Psychiatry», 2015, 207(3) pp. 250-255.
  • Davidson, J., & Emberly, A., Embodied musical communication across cultures: Singing and Dancing for quality of life and wellbeing benefit, in Music, Health, and Wellbeing (eds. MacDonald R., Kreutz G., Mitchell L.), Oxford, Oxford University Press-New York, 2012, pp. 136‑149.
  • De Fonzo M., Arte e follia. La depressione nell’artista, Milano, Tranchida, 1993.
  • De Fonzo M., Cantoterapia. Il teorema del canto, Roma, Armando, 2010.
  • De Fonzo M., Canta che ti passa, il fenomeno vibratorio della voce. Dal detto popolare alle conferme scientifiche, Roma, Sovera, 2012.
  • De Fonzo M., Incontri con il canto, in Psicologia della salute. Formazione e interventi, Atti del V Congresso Nazionale, Società Italiana di Psicologia della Salute, Firenze 18-20 ottobre 2002, Università degli Studi di Firenze.
  • De Fonzo M., De la Fuente L., The singing phenomenon. Stimulation and Rehabilitation in Neurodegenerative Disease, V Congresso Internazionale, “The Neurosciences and Music V”, Cognitive Stimulation and Rehabilitation, Dijon, 2014, Poster III - Sessione B5 - 3.
  • Delli Ponti M., Luban‑Plozza B., Il terzo orecchio, Torino, Centro Scientifico Editore, 1996.
  • Di Benedetto P., Cavazzon M., Mondolo F., Rugiu G., Peratoner A., Biasutti, E., Voice and choral singing treatment. A new approach for speech and voice disorders in Parkinson’s disease, in «European Journal of Physical and Rehabilitation Medicine», 2009, 45, pp. 13‑19.
  • Dinville C., La voix chantée. Sa tecnique, 1a ed., Masson, Paris, 1982 (La voce cantata: la sua tecnica, trad. di Calcagno D.), 1a ed., Milano, Collana di logopedia, Masson, 1984.
  • Eley R., Gorman D., Didgeridoo playing and singing to support asthma management in aboriginal Australians, in «The Journal of Rural Health», 2010, 26(1), 100‑104.
  • Ellis R.J., Thayer J.F., Music and Autonomic Nervous System (Dys)function, in «Music Percept», 2010, 27(4), pp. 317‑326.
  • Ellis R.J., Norton A.C., Overy K., Winner E., Alsop D.C., Schlaug G., Differentiating maturational and training influences on fMRI activation during music processing, in «NeuroImage», 2012, 60, pp. 1902‑1912.
  • Engen R.L., The singer’s breath. Implications for treatment of persons with emphysema, in «Journal of Music Therapy», 2005, 42, pp. 20‑48.
  • Frey W.H., Langseth M., Crying. The mystery of tears, Minneapolis, Winston Press, 1985.
  • Forsythe P., Bienenstock J., Kunze W.A., Vagal pathways for Microbiome‑Brain‑Gut Axis communication, in «Advances in Experimental Medicine and Biology», 2014, 817, pp. 115‑133.
  • Fussi F., Magnani S., Lo spartito logopedico. Ovvero la gestione logopedica della voce cantata, Omega, 2003.
  • Fussi F., Gilardone M., Clinica della voce, Torino, Cortina, 2010.
  • Gershon M., The second brain. A groundbreaking new understanding of nervous disorders of the stomach and intestine, Harper Collins Publishers, 1998.
  • Giordano C., Righini G., Schindler O., Biologia della musica, Torino, Omega, 1999.
  • Grape C., Sandgren M., Hansson L., Ericson M., Theorell T., Does singing promote well‑being? An empirical study of professional and amateur singers during a singing lesson, in «Integrative Physiological and Behavioral Science», 2003, 38(1), pp. 65‑74.
  • Gridley H., Astbury J., Aguirre C., Sharples J., In the middle of the sound. Group singing, community mental health and wellbeing, in «Journal of Multi‑disciplinary Research in the Arts», 2010, 2(1), 1‑20.
  • Goddard F.E., La voce. Tecnica e storia del canto dal gregoriano al rock, Padova, Franco Muzzio Editore, 1985.
  • Goodridge D., Nicol J.J., Horvey K.J., Butcher S., Therapeutic singing as an adjunct for pulmonary rehabilitation participants with COPD. Outcomes of a feasibility study, in «Music & Medicine», 2013, 5(3), pp. 169-176.
  • Halwani G.F., Loui P., Ruber T., Schlaug G., Effects of practice and experience on the arcuate fasciculus. Comparing singers, instrumentalists, and non‑musicians, in «Frontiers in Psychology», 2011.
  • Haneishi E., Effects of a music therapy voice protocol on speech intelligibility, vocal acoustic measures, and mood of individuals with Parkinson’s disease, in «Journal of Music Therapy», 2001, 38, pp. 273‑290.
  • Hendriks M.C.P., Rottenberg J., Vingerhoets A.J.J.M., Can the distress‑signal and arousal‑reduction views of crying be reconciled? Evidence from the cardiovascular system, in «Emotion», 2007, 7, pp. 458‑463.
  • Hebert S., Racette A., Gagnon L., Peretz I., Revisiting the dissociation between singing and speaking in expressive aphasia, in «Brain», 2003, 126, pp. 1-13.
  • Hinshaw T., Clift S. M., Hulbert S., Camic P. M., Group singing and young people’s psychological well‑being, in «International Journal of Mental Health Promotion», 2015, 17 (1), pp. 46‑63.
  • Hui E., Chui B.T., Woo J., Effects of dance on physical and psychological well‑being in older persons, in «Archives of Gerontology and Geriatrics», 2009, 49, pp. 45‑50.
  • Irish M., Cunningham C.J., Walsh J.B., Coakley D., Lawlor B.A., Robertson I.H., Coen R.F., Investigating the enhancing effect of music on autobiographical memory in mild Alzheimer’s disease, in «Dementia and geriatric cognitive disorders», 2006, 22, pp. 108‑120.
  • Janata P., The neural architecture of music‑evoked autobiographical memories, in «Cerebral Cortex», 2009, 19(11), pp. 2579‑2594.
  • Johnson J.K., et al., Study protocol for a cluster randomized trial of the Community of Voices choir intervention to promote the health and well‑being of diverse older adults, in «BMC Public Health», 2015, 15, p. 1049.
  • Johnson J., Culverwell A., Hulbert S., Robertson M., Camic P. M., Museum activities in dementia care. Using visual analogue scales to measure subjective wellbeing, in «Dementia», Sage Journals, 2015, 16(5), pp. 591‑610.
  • Johnson J.K., Louhivuori J., Siljander E., Comparison of well‑being of older adult choir singers and the general population in Finland. A casecontrol study, in «Musicae Scientiae», 2017, 21(2), pp. 178‑194.
  • Kawashima R., Train your brain. 60 days to a better brain, Kumon Publishing North America Inc., 2005.
  • Keith R.L., Aronson A.E., Singing as therapy for apraxia of speech and aphasia. Report of a case, in «Brain and Language», 1975, 2, pp. 483‑488.
  • Kemper K.J., Hamilton C.A., McLean T.W., Lovato J., Impact of music on pediatric oncology outpatients, in «Pediatric Research» 2008, 64(1), pp. 105-109.
  • Kensinger E.A., Corkin S., Memory enhancement for emotional words. Are emotional words more vividly remembered than neutral words?, in «Memory and Cognition», 2003, 31, pp. 1169‑1180.
  • Khalfa S., Dalla Bella S., Roy M., Peretz I., Blondin J.P., Effects of relaxing music on salivary cortisol level after psychological stress, Annals of the New York Academy of Science, 2003, 999, pp. 374‑376.
  • Keyes L.E., Campbell D., Toning. The creative power of the voice, Camarillo (California), DeVorss & Company, 2008.
  • Kitamura T., Measurement of vibration velocity pattern of facial surface during phonation using scanning vibrometer, in «Acoustical Science and Technology», 2012, 33(2), pp. 126‑128.
  • Kleber B., Veit R., Birbaumer N., Gruzelier J., Lotze M., The brain of opera singers. Experience‑dependent changes in functional activation, in «Cerebral Cortex», 2010, 20(5), pp. 1144-1152.
  • Koelsch S., Neural substrates of processing syntax and semantics in music, in «Current Opinion in Neurobiology», 2005, 15 (2), pp. 207-212.
  • Koelsch S., Fritz T., Schulze K., Alsop D., Schlaug G., Adults and children processing music. An fMRI study, in «NeuroImage», 2005, 25, pp. 1068‑1076.
  • Koelsch S., Fritz T., Cramon Y., Müller K., Friederici A.D., Investigating emotion with music. An fMRI study, in «Human Brain Mapping», 2006, 27, pp. 239‑250.
  • Kreibig S.D., Autonomic nervous system activity in emotion. A review, in «Biological Psychology», 2010, 8, pp. 394‑421.
  • Kreutz G., Does singing facilitate social bonding?, in «Music and Medicine an Interdisciplinary Journal», 2014, 6(2), pp. 51‑60.
  • Kreutz G., Bongard S., Rohrmann S., Hodapp V., Grebe D., Effects of choir singing or listening on secretory immunoglobulin A, cortisol, and emotional state, in «Journal of Behavioral Medicine», 2004, 27(6), pp. 623‑635.
  • Kreutz G., Murcia C.Q., Bongard S., Psychoneuroendocrine research on music and health. An overview, in Music, health and wellbeing (eds. MacDonald R., Kreutz G., Mitchell L.), New York, Oxford Univeristy Press, 2012, pp. 457‑476.
  • Lautenschlager N. et al., Effect of phsical activity on cognitive function in older adults at risk for Alzheimer disease: a randomized trial, in «Journal of the American Medical Association», 2008, 300(9), pp. 1027-1037.
  • Le Doux J.E., Emotion circuits in the brain, in «Annual Review of Neuroscience», 2000, 23, pp. 155‑184.
  • Le Doux J., Il cervello emotivo. Alle origini delle emozioni, Milano, Super Nani, Dalai Editore, 2003.
  • Levitin D.J., This is your brain on music. The science of a human obsession, New York, Plume Books, 2007 (Fatti di musica. La scienza di un’ossessione umana, trad. Bourlot S., Torino, Codice Edizioni, 2008).
  • Levitin, D.J., & Tirovolas, A.K., Current advances in the cognitive neuroscience of music, in «Annals of the New York Academy of Science», 2009, 1156, 211‑231.
  • Livesey L., Morrison I., Clift S.M., Camic P.M., Benefits of choral singing on health. A comparison of singers with high and low psychological wellbeing, in «Journal of Public Mental Health», 2012, 11(1). pp. 10‑26.
  • Le Huche F., Allali A., La voix. Anatomie et physiologie des organs de la voix et de la parole (4 vol.), 1a ed., Paris, Masson, 1994, (La voce. Anatomia e fisiologia, patologia, terapia, (3 vol.), 1a ed., Milano, Masson, 1996.
  • Lopez L., Neuromusic e ricerche empiriche, in Raccontare le storie dell’arte, a cura di Banzi A., Conci C., Scoppola L., Educazione e capitale umano, Milano, FrancoAngeli, pp. 125‑136.
  • Lord V.M., Cave P., Hume V.J., Flude E.J., Evans A., Kelly, J.L., et al., Singing teaching as a therapy for chronic respiratory disease. A randomised controlled trial and qualitative evaluation, in «BMC Pulmonary Medicine», 2010, 10(41), pp. 1‑7.
  • Loui P., Bachorik J.P., Li H.C., Schlaug G. Effects of voice on emotional arousal, in «Frontiers in Psychology», 2013.
  • Lowen A., The language of the body, New York, Macmillan, 1958, (Il linguaggio del corpo, trad. Sarcina P. e Pizzorno M., Feltrinelli, Milano, 1978).
  • Lowen A., Bioenergetics, New York, Coward, McCarin & Georgen Inc., 1975, (Bioenergetica, trad. Cornalba L., Milano, Feltrinelli, 1983).
  • Lutz T., Crying. The natural and cultural history of tears, New York, W.W. Norton, 1999.
  • Malchiodi C.A., Handbook of art therapy, New York, Guilford Press, 2013.
  • Mayeda E.R., Glymour M.M., Quesenberry C.P., Johnson J.K., Perez‑Stable, E.J., Whitmer R.A., Survival after dementia diagnosis in five racial/ ethnic groups, in «Alzheimers Dement», 2017, 13(7), pp. 761‑769.
  • Miceli, M., Castelfranchi, C., Crying: discussing its basic reasons and uses, in «New Ideas in Psychology», 2003, 21(3), pp. 247‑273.
  • Mithen, S. The singing Neanderthals. The origins of music, language, mind and body, London, Weidenfeld and Nicholson, 2005.
  • Mori K., Iwanaga M., Two types of peak emotional responses to music. The psychophysiology of chills and tears, in «International Journal of Psychophysiology», 2014, 93(2), pp. 220-226.
  • Morrison I., Clift S. M., Stosz, L. Supported further education provision for people with long‑term mental health needs. Findings from a survey of further education colleges and primary care trusts across the south east of England, in «Perspectives in Public Health», 2010, 130(2), pp. 78‑85.
  • Mosqueira A.J., Lopez‑Manzanares L., Canneti B., Barroso A., Garcia‑Navarrete E., Valdivia A., Vivancos J., Estimulación del nervio vago en pacientes migrañosos, in «Revista de Neurologia», 2013, 57(2), pp. 57‑63.
  • Müller V., Lindenberger U., Cardiac and respiratory patterns synchronize between persons during choir singing, in «PLoS ONE», 2011, 6(9), e24893.
  • Nakata T., Trehub S., Infants’responsiveness to maternal speech and singing, in «Infant Behavior & Development», 2004, 27, pp. 455‑464.
  • Natke U., Donath T.M., Kalveram K.T., Control of voice fundamental frequency in speaking vs singing, in «Journal of the Acoustical Society of America», 2003, 113, pp. 1587‑1593.
  • Nantais K.M., Schellenberg E.G., The Mozart Effect. An artifact of preference, in «Psychological Science», 1999, 10, pp. 370‑373.
  • Newham P., The singing cure. An introduction to voice movement therapy, Boston, Shambhala, 1994.
  • Newham P., Therapeutic voicework, Jessica Kingsley Publishers, London, 1998.
  • Newham P., Using voice and movement in therapy, London, Jessica Kingsley Publishers, 1999.
  • Newham P., Using voice and song in therapy, London, Jessica Kingsley Publishers, 1999.
  • Norton A., Zipse L., Marchina S., Schlaug G., Melodic intonation therapy. How it is done and why it might work, (Atti del III Convegno Internazionale The Neurosciences and Music), New York, Annals of New York Academy of Sciences, 2009, vol. 1169, pp. 431‑436.
  • Okada K., Kurita A., Takase B., Otsuka T., Kodani E., Kusama Y. et al., Effects of music therapy on autonomic nervous system activity, incidence of heart failure events, and plasma cytokine and catecholamine levels in elderly patients with cerebrovascular disease and dementia, in «International Heart Journal», 2009, 50, pp. 95‑110.
  • Ozdemir E., Norton A., Schlaug G., Shared and distinct neural correlates of singing and speaking, in «NeuroImage», 2006, 33, pp. 628‑635.
  • Ozdemir E., Schlaug G., Effects of musicianship and motor training in singers and pianists. A voxel‑based morphometry (VBM) study. Human Brain Mapping Meeting, Florence, in «NeuroImage», 2006, 31 Suppl 1, "Abstracts of the 12th Annual Meeting of Human Brain Mapping, June 11-15, 2006, Florence, Italy”, pp. 29-185.
  • Pani E., Zheng X., Wang J., Norton A., Schlaug G., Right hemisphere structures predict post stroke speech fluency, in «Neurology», 2016, 86, pp.1‑8.
  • Pantev C., Engelien A., Representational cortex in musicians. Plastic alterations in response to musical practice, Annals of the New York Academy of Science, 930, 2001, pp. 300‑14.
  • Pastorino Claudia, Curarsi con la Voce. Quando il canto diventa una vera e propria terapia, Riza Scienze, 2009
  • Peretz I., Zatorre R., Brain organization for music processing, in «Annual Review of Psychology», 2004, 56, pp. 89‑114.
  • Platel H., La perception de la musique. Approches neuropsycologique, in «Revue de Neuropsycologie», 2001, 11, pp. 327-55.
  • Platel H., Eustache F., La mémoire musical. Approches neuropsycolologique, in «Revue de Neuropsycologie», 2000, 10, pp. 623‑644.
  • Porges S.W., The polivagal theory, New York‑London, Norton&Company, 2011 (La teoria polivagale, Roma, Giovanni Fioriti Editore, 2014).
  • Racette A., Bard C., Peretz I., Making non‑fluent aphasics speak. Sing along!, in «Brain», 2006, 129, pp. 2571‑2584.
  • Racette A., Peretz I., Learning lyrics. To sing or not to sing?, in «Memory & Cognition», 2007, 35, pp. 242‑253.
  • Raglio A., Bellelli G., Traficante D., Gianotti M., Ubezio M.C., Gentile S., Villani D., Trabucchi M., Efficacy of music therapy treatment based on cycles of sessions. A randomised controlled trial, in «Aging & Mental Health» 2010, 14(8), pp. 900-904.
  • Raglio A., Bellelli G., Traficante D., Gianotti M., Ubezio M.C., Gentile S., Villani D., Trabucchi M., Addendum to “Efficacy of music therapy treatment based on cycles of sessions. A randomised controlled trial”, in «Aging & Mental Health» 2012, 16(2), pp. 265-267.
  • Ramig L.O., Sapir S., Countryman S., Pawlas A.A., O’Brien C., Hoehn M., Thompson L.L., Intensive voice treatment (LSVT) for patients with Parkinson’s disease. A 2 year follow up, in «Journal of Neurology, Neurosurgery and Psychiatry», 2001, 71, pp. 493‑498.
  • Rauscher F.H., Shaw G.L., Ky C.N., Music and spatial task performance, in «Nature», 1993, 365, 611.
  • Rauscher F.H., Shaw G.L., Ky C.N., Listening to Mozart enhances spatial‑temporal reasoning. Towards a neurophysiological basis. in «Neuroscience Letters», 1995, 185(1), pp. 44‑47.
  • Rio R., Connecting through music with people with dementia. A guide for caregivers, London, Jessica Kingsley Publishers, 2009.
  • Ricci Bitti P.E., Regolazione delle emozioni e arti‑terapie, Roma, Carocci, 1998. Rodet X., Potard Y., Barriere J.B. The chant project. From the synthesis of the singing voice to synthesis in general, in «Computer Music Journal», 1984, 8(3), pp. 15‑31.
  • Rohmert G., Il cantante in cammino verso il suono, Treviso, Diastema, 1995.
  • Rottenberg J., Bylsma L.M., Vingerhoets J.J.M., Is crying beneficial?, in «Current Directions in Psychological Science», 2008, 17, pp. 400‑404.
  • Sacks O., Musicophilia. Tales of music and the brain, Londra, Picador, 2007, (Musicofilia, trad. Blum I., Milano, Adelphi, 2008).
  • Särkämö T., Laitinen S., Numminen A., Kurki M., Johnson J.K., Rantanen P., Pattern of emotional benefits induced by regular singing and music listening in dementia, in «Journal of the American Geriatrics Society», 2016, 64(2), pp. 439‑440.
  • Satoh M., Kuzuhara S., Training in mental singing while walking improves gait disturbance in Parkinson’s disease patients, in «European Neurology», 2008, 60, pp. 237‑243.
  • Schlaug G., Norton A., Ozdemir E., Helm‑Estabrooks N., Long‑term behavioral and brain effects of melodic intonation therapy in patients with Broca’s Aphasia, Florence, Human Brain Mapping Meeting, 2006.
  • Schlaug G., Norton A., Ozdemir E., Helm‑Estabrooks N., From singing to speaking. Music‑facilitated language recovery, Human Brain Mapping, Chicago, 2007.
  • Schlaug G., Marchina S., Norton A., From singing to speaking. Why singing may lead to recovery of expressive language function in patients with Broca’s aphasia, in «Music Perception. An Interdisciplinary Journal», 2008, 25(4), pp. 315‑323.
  • Schlaug G., Norton A., Marchina S., Zipse L., Wan C.Y., From singing to speaking. Facilitating recovery from nonfluent aphasia, in «Future Neurology», 2010, 5(5), pp. 657‑665.
  • Schlaug G., Musicians and music making as a model for the study of brain plasticity, in «Music, neurology, and neuroscience. Evolution, the musical brain, medical conditions, and therapies», (eds. Altenmüller E., Finger S., Boller F.), vol. 217, Progress in Brain Research, Elsevier, UK, 2015, pp. 37-55.
  • Shenfield T., Trehub S., Nakata T., Maternal singing modulates infant arousal, in «Psychology of Music», 2003, 31, pp. 365‑375.
  • Schön D., Akiva‑Kabiri L., Vecchi T., Psicologia della musica, Roma, Carocci, 2007.
  • Schön D., Boyer M., Moreno S., Besson M., Peretz I., Kolinski R., Songs as an aid for language acquisition, in «Cognition», 2008, 106, pp. 975‑983.
  • Schulkind M.D., Hennis L.K., Rubin D.C., Music, emotion, and autobiographical memory. They’re playing your song, in «Memory and Cognition», 1999, 27, pp. 948‑955.
  • Skingley A., Clift S.M., Coulton S., Rodriguez J., The effectiveness and cost‑effectiveness of a participative community singing programme as a health promotion initiative for older people. Protocol for a randomised controlled trial, in «BMC Public Health», 2011, 11(1), p. 142.
  • Skingley A., Bungay H., Clift S. M., Researching participatory arts, well‑being and health. Some methodological issues, in «Journal of Arts and Communities», 2012, 3(1). pp. 73‑87.
  • Skingley A., Bungay H., Clift S.M., Warden J. Experiences of being a control group. Lessons from a UK based randomised controlled trial of group singing as a health promotion initiative for older people, Health Promotion International, 2013
  • Skingley A., Martin A., Clift S.M., The contribution of community singing groups to the well-being of older people. Participant perspectives from the United Kingdom, in «Journal of Applied Gerontology», 2016, 35(12), pp. 1302‑1324.
  • Sloboda J.A., The musical mind. The cognitive psychology of music, Oxford, Oxford University Press, 1985 (La mente musicale. Psicologia cognitivista della musica, trad. Farabegoli F., Bologna, il Mulino, 2002).
  • Sloboda J.A., O’Neill S.A. Emotions in everyday listening to music, in Music and emotion. Theory and research, (eds. Sloboda J.A., Juslin P.N.), Oxford, Oxford University Press, 2001, pp. 415-430.
  • Solway R., Camic P.M., et al., Material objects and psychological theory in arts and health. A conceptual literature review, in «Arts & Health. An International Journal of Research, Policy and Practice», 2016, 8, 82‑101.
  • Sparks R.W., Holland A.L., Method. Melodic intonation therapy for aphasia, in «The Journal of Speech and Hearing Disorders», 1976, 41, pp. 287‑297.
  • Steele K.M., Bass K.E., Crook M.D., The mystery of the Mozart effect. Failure to replicate, in «Psychological Science», 1999, 10, pp. 366‑369.
  • Stegemöller E.L., Hibbing P., Radig H., Wingate J., Therapeutic singing as an early intervention for swallowing in persons with Parkinson’s disease, in «Complementary Therapies in Medicine», 2017, 31, pp. 127‑133.
  • Stickley T., Parr H., Daykin N., Clift S.M., De Nora T., Hacking T., Camic et al. Arts, health & wellbeing: reflections on a national seminar series and building a UK research network, in «Arts and Health. An International Journal for Research, Policy and Practice», 2016.
  • Tamplin J., A pilot study into the effect of vocal exercises and singing on dysarthric speech, in «NeuroRehabilitation», 2008, 23(3), pp. 207‑216.
  • Tamplin J., et al., The effect of singing on respiratory function, voice, and mood following quadriplegia. A randomized controlled trial, in «Archives of Physical Medicine and Rehabilitation», 2013, 94(3), pp. 426‑434.
  • Tamplin J., Baker F., Jones B., Way A., Lee S., Stroke a chord. The effect of singing in a community choir on mood and social engagement for people living with aphasia following a stroke, in «Neurorehabilitation», 2013, 32(4), pp. 929‑941.
  • Thayer J.F., Lane R.D., A model of neurovisceral integration in emotion regulation and dysregulation, in «Journal of Affective Disorders», 2000, 61(3), pp. 201-216.
  • Thayer J.F., Brosschot J. F., Psychosomatics and psychopathology. Looking up and down from the brain, in «Psychoneuroendocrinology», 2005, 30, pp. 1050‑1058.
  • Thayer J.F., Lane R.D., The role of vagal function in the risk for cardiovascular disease and mortality, in «Biological Psychology», 2007, 74(2), pp. 224-242.
  • Thayer J.F., Hansen A.L., Saus‑Rose E., Johnsen B. H. Heart rate variability, prefrontal neural function, and cognitive performance. The neurovisceral integration perspective on self‑regulation, adaptation, and health, in «Annals of Behavioral Medicine», 2009, 37(2), pp. 141-153.
  • Thayer J.F., Lane R.D., Claude Bernard and the heart‑brain connection. Further elaboration of a model of neurovisceral integration, in «Neuroscience and Biobehavioral Reviews», 2009, 33(2), pp. 81‑88.
  • Thayer J.F., Ellis R.J., Music and Autonomic Nervous System (Dys)function, in «Music Perception: An Interdisciplinary Journal», 2010, 27(4), pp. 317-326.
  • Thompson W.F., Schlaug G., The Healing Power of Music. New therapies are using rhythm, beat, and melody to help patients with brain disorders recover language, hearing, motion, and emotion, in «Scientific American Mind», 2015, 26(2), pp. 33-41.
  • Thompson W.F., Schellenberg E.G., Husain G., Arousal, mood, and the Mozart effect, Psychological Science, 2001, 12(3), pp. 248‑251.
  • Tillmann B., Koelsch S., Escoffier N., Bigand E., Lalitte P., Friederici A.D., Von Cramon D. Y., Cognitive priming in sung and instrumental music. Activation of inferior frontal cortex. NeuroImage, 2006, 31, pp. 1771‑1782.
  • Tomaino C.M., Music therapy and the brain, in Wheeler B.L., Music Therapy Handbook, New York, Guilford Press, 2015, pp. 40‑50.
  • Tomatis A., L’oreille et le langage, Parigi, Éditions du Seuil, 1963 (L’orecchio e il linguaggio, trad. Merletti L. , Pavia, Ibis, 1995).
  • Tomatis A., L’oreille et la vie, Paris, Éditions Laffont, 1977 (L’orecchio e la vita, trad. Mussolini C., Milano, Baldini Castoldi Dalai Editore, 1999).
  • Tomatis A., Vers l’ecoute humaine, (2 vol), Parigi, Ed. ESF, 1979 (Come nasce e si sviluppa l’ascolto umano, trad. Cimino G., Como, Red edizioni, 2001).
  • Tomatis A., L’oreille et la voix, Parigi, Éditions Laffont, 1987 (L’orecchio e la voce, trad. Mussolini C., Milano, Baldini Castoldi Dalai Editore, 1993).
  • Tomatis A., Neuf mois au paradis, Parigi, Ergo Press, 1989 (Nove mesi in paradiso. Storie della vita prenatale, trad. Merletti L., Pavia, Ibis, 2007).
  • Tomatis A., Ecouter l’Univers, Editions Laffont, 1995 (Ascoltare l’universo. Dal Big Bang a Mozart, trad. Merletti L., Milano, Baldini&Castoldi, 1998).
  • Trabucchi, M., Efficacy of music therapy treatment based on cycles of sessions. A randomised controlled trial, in «Aging and Mental Health», 2010, 14, pp. 900‑904.
  • Trehub S., The developmental origins of musicality, in «Nature Neuroscience», 2003, 6, pp. 669‑673.
  • Trimble M., Why humans like to cry, Oxford, Oxford University Press, 2012.
  • Unadkat S., Camic P.M., Vella‑Burrows T., Understanding the experience of group singing for couples where one partner has a diagnosis of dementia, Canterbury Christ Church University, Kent, UK, Folkestone and Tunbridge Wells, 2017, 57(3), pp. 469‑478.
  • Valentine E., Evans C., The effects of solo singing, choral singing and swimming on mood and physiological indices, in «British Journal of Medical Psychology», 2001, 74, pp. 115‑120.
  • Vickhoff B., Malmgren H., Aström R., Nyberg G., Ekström S.R., Engwall M., Snygg J., Nilsson M., Jörnsten R., Music structure determines heart rate variability of singers, in «Frontiers in Psychology», 2013, 4, pp. 1‑16.
  • Vines B.W., Schlaug G., The Neuroscience of Singing and intonation‑based speech recovery. A review, Psychomusicology, 2008.
  • Vines B.W., Norton A.C., Schlaug G., Combining melodic intonation therapy with transcranial direct current stimulation to facilitate language recovery in patients with Broca’s aphasia, Atlanta, Soc for Neuroscience, 2006.
  • Vines B.W., Norton A.C., Schlaug G., Non‑invasive brain stimulation enhances the effects of melodic intonation therapy, in «Frontiers in Psychology», 2011.
  • Vingerhoets A.J.J.M., Why only humans weep. Unraveling the mysteries of tears, Oxford, Oxford University Press, 2013.
  • Vongpaisal T., Trehub S., Schellenberg E.G., Song recognition by children and adolescents with cochlear implants, in «Journal of Speech Language Hear Research», 2006, 49, 1091‑1032.
  • Vuust P., et al. Oxytocin improves synchronisation in leader‑follower interaction, Aarhus University, Denmark, 2016.
  • Vuust P., Gebauer L., Witek M., Hansen N., Thomas J., Konvalinka I., The influence of oxytocin on interpersonal rhythmic synchronization and social bonding, V Congresso Internazionale, “The Neurosciences and Music V”, Cognitive Stimulation and Rehabilitation, Dijon, 2014, Poster sessione I‑B2 53
    Wade L.M., A comparison of the effects of vocal exercises/singing versus music‑assisted relaxation on peak expiratory flow rates of children with asthma, in «Music Therapy Perspectives», 2002, 20, pp. 31‑37.
  • Wan C.Y., Ruber T., Hohmann A., Schlaug G., The therapeutic effects of singing in neurological disorders, in «Music Perception», 2010, 27(4),
  • Wan C.Y., Schlaug G., Music making as a tool for promoting brain plasticity across the life span, in «Neuroscientist», 2010, 16, pp. 566‑577.
  • Wan C.Y., Zheng X., Marchina S., Norton A., Schlaug G., Intensive therapy induces contralateral white matter changes in chronic stroke patients with Broca’s aphasia, in «Brain & Language», 2014, 136, pp. 1‑7.
  • Weinberger, N., The Mozart Effect, in «Music and Science Information Computer Archive», Volume VII, Issue 1, Winter, 2000.
  • Weisman O., Feldman R., Oxytocin effects on the human brain, in «Biological Psychiatry», 2013, 74(3), pp. 158‑159.
  • Welch G.F., Singing and vocal development, in The child as musician: A handbook of musical development (ed. McPherson G.), New York, Oxford University Press, 2006, pp. 311‑329.
  • Wilson S.J., Parsons K., Reutens D.C., Preserved singing in aphasia. A case study of the efficacy of Melodic Intonation Therapy, in «Music Perception», 2006, 24, pp. 23‑36.
  • Wise G.W., Hartmann D.J., Fisher B.J., Exploration of the relationship between choral singing and successful aging, in «Psychological Reports», 1992, 70, pp. 1175‑1183.
  • Young R., Tischler V., Hulbert S., Camic, P.M., The impact of art‑viewing and art‑making on verbal fluency and memory in people with dementia, in «Psychology of Aesthetics, Creativity and the Arts», 2015, 9, pp. 368‑375.
  • Young R., Camic P.M., Tischler V., The impact of community‑based arts and health interventions on cognition in people with dementia. A systematic literature review, in «Aging & Mental Health», 2015, 20, pp. 337‑351.
  • Zatorre R., Mental models and musical minds, in «Science», 2002, 298, pp. 2138‑2139.
  • Zatorre R., Music, the food of neuroscience?, in «Nature», 2005, 434, pp. 312-315.





Pubblicazioni
Rassegna Stampa
Bibliografia
Archivio storico
Powered by MMS vers. 3.1 - © 2022 ETEAM International